Understand in about 6 minutes
Two sisters left poor by a grudging inheritance meet love and loss in opposite ways, one guarding her feelings behind composure and the other surrendering to hers, and the novel weighs which temper survives the world better.
Idea map
Mental models
Elinor's strength is not an absence of emotion but a learned ability to hold strong feeling and still act with consideration; her composure is effortful, not natural.
It offers a model of self-mastery that does not require becoming unfeeling, separating the question of what one feels from the question of how one behaves.
Marianne begins certain that a true heart can love only once and that any later attachment is a betrayal; the novel walks her to a contrary discovery through her own changed life.
It questions the romantic creed of a single fated love, suggesting that constancy can be renewed and that survival of loss is not disloyalty.
In one exchange Marianne's idea of a bare competence turns out to be nearly twice what Elinor calls wealth, exposing how desire quietly inflates what one believes one merely needs.
It is a sharp lens on how people disguise wants as needs, and on the gap between professed indifference to money and the sums one actually assumes.
Summary
When old Mr. Dashwood dies, the estate is tied up for a distant grandchild, and a deathbed promise to provide for his half-sisters is whittled away by their brother and his calculating wife until almost nothing remains. Mrs. Dashwood and her three daughters are turned out of comfort into a small Devonshire cottage, genteel but poor. From the first pages the book fixes attention on money: who has it, who is denied it, and how that shapes what the sisters may hope for.
The two eldest embody the title. Elinor, nineteen, has strength of understanding and a coolness of judgment that let her govern feelings which are nonetheless real and strong. Marianne, younger, is clever and generous but eager in everything, prizing the intensity of her emotions and scorning prudence as a failure of soul. Their mother shares Marianne's temper, so it falls to Elinor to be the steadying counselor of the household.
Each sister meets a man. Elinor grows attached to the diffident Edward Ferrars, only to learn he is secretly and long engaged to the scheming Lucy Steele, who confides the fact to Elinor as a triumph. Marianne is swept up by the charming Willoughby, who courts her openly and then abandons her without explanation to marry for money. Elinor hides her own pain and keeps Lucy's secret for four months; Marianne broadcasts her anguish and collapses into it.
The contrast sharpens into crisis. Marianne's refusal to govern her grief, and her neglect of her own health, bring on a fever that nearly kills her. Recovering, she looks back with horror at a season of imprudence toward herself and unkindness to others, and resolves to regulate her feelings by reason, religion, and constant employment. Elinor, meanwhile, is released from her long silence when Edward, freed by Lucy's defection to his richer brother, is at last able to come to her.
The novel ends in marriages that reward steadiness. Elinor weds Edward on a modest income; Marianne, cured of her doctrine that a heart can love only once, comes in time to give her whole heart to the older, constant Colonel Brandon, the very kind of suitor she had once dismissed. Faithless Willoughby keeps his fortune and his regret. The settling of incomes and households is as much the book's resolution as the settling of hearts.
Key concepts
Selected Quotes
By feeling that I was doing my duty.
money can only give happiness where there is nothing else to give it.
Marianne could never love by halves
Source
Source text: Project Gutenberg edition of Sense and Sensibility by Jane Austen.
HTML text: https://www.gutenberg.org/cache/epub/161/pg161.txt
Project Gutenberg states this ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever.
First published in 1811; the Project Gutenberg edition reproduces the text and dates it 1811 on its title page.