The Conduct of Life gathers nine essays. Fate, Power, Wealth, Culture, Behavior, Worship, Considerations by the Way, Beauty, and Illusions. Emerson opens by turning the fashionable talk of his day about the spirit of the times into one plain question: How shall I live? His method is to take the leading topics of a life one at a time, state frankly what experience says of each, and let the parts correct one another into a just balance.
Fate states the hard facts first. Nature is rough and impersonal, and each of us is hemmed in by body, temperament, race, climate, and event. Emerson will not whitewash this. But he argues that fate slides into freedom: limitation is ore and quarry, calamity is a spur, and a person's fortunes grow on the same stem as his character. The essay ends by asking us to build altars to what he calls the Beautiful Necessity, a law that binds all things into one piece.
Power and Wealth treat the forces a person can actually wield. Power begins in health and in the affirmative habit of those who whirl with the world rather than stand by. Its secret is concentration, the choice to pour vital force into one work, supported by drill and the willingness to decide. Wealth is read as a moral and natural discipline, a test of whether a person can match means to ends and obey the economy that runs through everything.
Culture, Behavior, and Worship raise the platform. Emerson grants that talent and success can cramp a person into an egotist or a specialist, so culture is invoked to balance the dominant power and restore the whole self. Behavior studies manners as thought entering the hands and feet, a silent language that everywhere places us. Worship answers the worry that the earlier essays were pitched too low, insisting that faith outweighs skepticism and that a moral order tyrannizes at the center of nature.
The last essays turn reflective. Considerations by the Way admits how little advice one person can truly give another, since each must stand or fall on his own private strength. Beauty faults a science that takes nature to pieces without love, and recalls how large a person really is. Illusions, set in a Kentucky cavern, shows how much of what we see is supplied by our own senses and moods, then closes on the conviction that beneath the showers of deception, law holds and the gods sit still in their spheres.